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导演:
主演:
赵建波,王婧蕊
上映:
2020
备注
HD
类型:
电影
剧情:
  空在母亲的催促下租来一辆汽车和一套房子,对女友姗姗说是他自己的财产。第一次跟姗姗回家见父母便得到了两位老人的认可。随后不久,李空便和姗姗开始计划婚期,策划一场浪漫的婚礼。 顾小敏的母亲在相亲节目为女儿报了名,整天在一堆照片里挑来挑去,逼迫女儿去相亲。小敏有时为了应付一下母亲而去与对方见面,结果是一个比一个让她失望。在单位努力工作,可就是得不到领导的认可。校长经常喊她到办公室,关上门后对其动手动脚,小敏奋力反抗。不堪忍受校长对她的骚扰,递交了一份辞职申请,内容便是:世界这么大,我要出去看看。校长再三挽留无果后,同意了小敏的辞职申请。一夜之间小敏的辞职申请被网络疯传,小敏一夜成名。她的短短十一字的辞职申请成为网络名句,辞职后便开始了一场说走就走的旅行。…

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  阿尔莫多瓦编导的第二部作品,安东尼奥·班德拉斯出演配角。影片中再次体现出了那种及时行乐以及性乱的题材,阿尔莫多瓦展开了以后贯穿他作品的“性”主题:性迷乱、性倒错、同性恋、乱伦等等。对这些不容于道德主义的主题,阿尔莫多瓦采取了一种宽容甚至是理解的暧昧态度,赋予这些"不堪入目"的行为一种扭曲的美感和同情的解释。正是这种暧昧适时的传达出从政治和历史重压下释放不久的西班牙民众的迷惑与混乱。  对于班德拉斯来讲,如果说因为腿伤没实现当足球运动员的梦还有些无奈的话,那么他盲打误撞成了电影明星显然是幸运的。而后由西班牙著名导演阿莫多瓦培养出来了一名优秀演员。从1982年到1990年,他在六部阿莫多瓦的影片中担任了主角。从1982年的《情感迷宫》,1983年的《高跟鞋》,1988年的《濒临崩溃的女人》直到1990年的《绑上绑下》,班德拉斯已经成为阿莫多瓦影片中不可缺少的一种人性的符号。  他拥有一种“魔性”。但不同于亚兰德伦的魔性有着纯美的外形作基底,班德拉斯的魔性是质朴的、浑厚的、带着催眠般的性感。他的眼神,萃聚了西班牙最浓郁的风情,解释着一种优秀的西班牙气质,令人次联想到基因的神奇。 安东尼为我们提供了“拉丁情人”的模板。一般拉丁情人是油滑放浪的模样,安东尼欧却深情而真挚;他的浪漫情调浑厚、绵长,带着成就爱情的力量。像汤姆克鲁斯和布莱德比特这类的"美式金童"就稍微欠缺了些这样的深度,诠释角色的手法永远都比较儿童化、比较肤浅;而安东尼欧却能令人生阅历丰富的中老年人都为之动容,应该就是因为他身上那挥之不去的“制约之美”所造成的吧…
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DVD

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